![separatorlong.jpg](../sitebuildercontent/sitebuilderpictures/separatorlong.jpg)
![contruccionvisiteenglish.jpg](../sitebuildercontent/sitebuilderpictures/contruccionvisiteenglish.jpg)
![rafamontaje3.jpg](../sitebuildercontent/sitebuilderpictures/rafamontaje3.jpg)
Recortes de Prensa:
(Haga click sobre el artículo para leerlo)
Entrevista Diario Información (Alicante/España) 9 Septiembre 2005
Diario Información (Alicante/España)12 Enero 2006
Críticas:
"Rafael Vázquez displayed some particularly beautiful vocal wares as Ferrando, his mature voice belying the fact
that he has just graduated from the Guildhall School..."(Opera Magazine)
"tenor Rafael Vázquez as Renzo( he'll be an accomplished Verdian hero one day soon)...making a particularly striking
impresion..." ( Evening Standard )
"Most notable in the second cast was Rafael Vázquez, who had given up lucrative prospects in International Law
to switch to singing, as he discussed with Sean Rafferty on Radio 3. He made a great deal of his role as the twin Renzo, and
his diction was impeccable."(Musical Pointers)
"...The spanish tenor Rafael Vázquez(fine
voice) played Gonsalve as a randy caricature(so what is the problem?)" Opera Magazine
"Rafael
Vázquez...has the lyrical tenor weight that Ravel needs. "(Evening Standard)
"...and
the Italianate tenor Rafael
Vazquez - a notable discovery."
(
The Independent )
"The
tenor Rafael Vázquez gave
Wilhem bags of passion
and personality"
(Sunday
Telegraph)
"I had similar reactions to the two Wilhelm Meisters...but far
more interesting and memorable is... Rafael Vazquez...increased the plausibility of his naive vulnerability to the untrustworthy
charms of the coquette, Philine" (Musical Pointers)
" Mr.Vázquez, who can count
wrestling among his many skills...was a student lawyer in Madrid, until two years ago when he realised that his greater
gifts lay elsewhere. And what gifts! ... He is a classical portrayer on the Latinate tenor/lover..." ( Stratford - upon - Avon
Herald )
"
Rafael Vázquez made a striking impression as an excitable, nervous Don Curzio... " ( Opera Magazine )
|